Born in Los Angeles, California in 1930, Don Dudley is a crucial, historical link between the optical and surface oriented “Cool School” or “Finish Fetish” generation of California artists who came into prominence in the 1960s and the more cerebral, Hard-edged Minimalist artists such as Frank Stella, Brice Marden and Ellsworth Kelly. Dudley’s practice embraces drawing and painting by way of sculpture and installation—creating subtle and sophisticated wall works that stand out for both their elegance and formal intelligence. Throughout Don Dudley's seventy-year career he has challenged artistic conventions and the traditional concept of painting by incorporating industrial materials in his work such as aluminum, lacquer, homasote and plywood.
Dudley lived and worked on the West Coast for thirty-eight years before relocating to New York City in 1969. Settling first into a loft on Broome Street in SoHo, he later became one of the early pioneers in TriBeCa—where his studio remains to this day. The analytical artistic approaches in New York—especially the visual language of grids, modularity as well as the aesthetics of industrial manufacturing—had a profound impact on the artist and shifted his work away from the luscious opticality of the early works made in Southern California. He focused his attention on structure and seriality, solidifying a connection to artists such as Anne Truitt and Donald Judd.
Throughout the 1970s and 1980s, Dudley explored modular and serial structures with monochromatic color schemes as well as site-specific spatial installations, exhibiting in “Corners” at MIT Vera List Art Center in 1979 and mounting solo shows at P.S.1 Contemporary Art Center in 1982 and New Museum of Contemporary Art in 1984. Select group exhibitions at major institutions include Contemporary American Painting at the Whitney Museum of American Art, New York, NY (1972); Double Take at New Museum of Contemporary Art, New York, NY (1978); and Activated Walls at the Queens Museum of Art, New York, NY (1984).
After a twenty-five year hiatus from exhibiting, Dudley's work was rediscovered in 2011 to great acclaim. Recent solo exhibitions include Don Dudley: New Work, Magenta Plains, New York, NY (2022); Don Dudley: Early Work, Magenta Plains, New York, NY (2019); Don Dudley: Activated Walls and Recent Works, Galerie Thomas Zander, Cologne, DE (2018); Don Dudley: Recent Work, Magenta Plains, New York, NY (2017); Modular Spaces, Galerie Thomas Zander, Cologne, DE (2013); Don Dudley, I-20 Gallery, New York, NY (2011); and Don Dudley, Mendes Wood, São Paulo, BR (2011).
Dudley’s work is in the public collection of the Becton Dickinson, Paramus, NJ; Blanton Museum of Art, Austin, TX; Bowdoin College Museum of Art, Brunswick, ME; Buffalo AKG Art Museum, Buffalo, NY; Chase Manhattan Bank, New York, NY; Dallas Museum of Art, Dallas, TX; Foundation for Art and Preservation in Embassies, USA; Oceanside Museum of Art, Oceanside, CA; Prudential Insurance Co., New York, NY; San Francisco Museum of Art, CA; Shearman & Sterling, New York, NY; Simpson Thatcher & Bartlett, New York, NY; Southeast Banking, Miami, FL; TRW, Cleveland, OH; Whitney Museum of American Art, New York, NY; William R. Mercer, Inc., New York, NY
Born in 1930, Los Angeles, CA
Lives and works in New York, NY and Kerhonkson, NY
Studied at Chouinard Art Institute, Los Angeles, CA
Magenta Plains at That 70s Show, Eric Firestone Loft, New York, NY
Don Dudley: New Work, Magenta Plains, New York, NY
Dallas Art Fair, Magenta Plains, Dallas, TX
Don Dudley: Early Work, Magenta Plains, New York, NY
Don Dudley: Activated Walls and Recent Works, Galerie Thomas Zander, Cologne, DE
Don Dudley: Recent Work, Magenta Plains, New York, NY
Modular Spaces, Galerie Thomas Zander, Cologne, DE
I-20 Gallery, New York, NY
Mendes Wood, São Paulo, BR
Pam Adler Gallery, New York, NY
Running Dream, New Museum of Contemporary Art, New York, NY
Project 18, Kunsthal Charlottenborg, Copenhagen, Denmark
Special Projects (Winter 1982), MoMA PS 1, Long Island City, New York, NY
CUNY Baruch College, New York, NY
Pam Adler Gallery, New York, NY
Galerie Farideh Cadot, Paris, FR
University of California Art Museum, Santa Barbara, CA
Pam Adler Gallery, New York, NY
Galerie Farideh Cadot, Paris, FR
Galerie Alfred Schmela, Düsseldorf, DE
John Doyle Gallery, Paris, FR
I Gallery, La Jolla, CA
Comara Gallery, Los Angeles, CA
I Gallery, La Jolla, CA
La Jolla Museum of Art, La Jolla, CA
New Gallery, Houston, TX
Swim Hole, Magenta Plains, New York, NY
Felix Art Fair with Magenta Plains, Los Angeles, CA
Friends & Family, Magenta Plains, New York, NY
Essentials, Galerie Thomas Zander, Cologne, DE
Emotion and Structure, Galerie Thomas Zander, Cologne, DE
Dallas Art Fair, Dallas, TX
TWO x TWO for AIDS and Art, Dallas, TX
Dallas Art Fair, Dallas, TX
Independent Art Fair, New York, NY
Gaps in the Record: Vanguard Print Culture in San Diego, San Diego History Center, San Diego, California
Position Matters, Curated by Saul Ostrow, Minus Space & Galerie Richard, New York, NY
Independent Art Fair, New York, NY
Between Two Worlds: Art of California, San Francisco Museum of Modern Art, CA
No Transport, Super Dakota, Brussels, BE
In the Abstract: Mid-Century San Diego Painting and Sculpture, Oceanside, California
Contemporary Art Wins a Beachhead: The La Jolla School of Arts 1960-1964, curated by Dave Hampton, Oceanside Museum of Art, Oceanside, CA
Est-3: Southern California in New York (Los Angeles Art from the Beth Rudin DeWoody Collection), curated by David Pagel, Parrish Art Museum, Southampton, NY
Painting in Parts, curated by Michael Klein, Maryland Art Place, Baltimore, MD
Between the Paradigms, Pt. IV; A Category of Objects as Yet Unnamed, Penine Hart Gallery, New York, NY
Between the Sacred and the Profane, Galerie Rahmel, Köln, DE (catalog)
Intericon 1986, Copenhagen, DK (catalog)
Painting ’85, Pam Adler Gallery, New York, NY
Activated Walls, Queens Museum of Art, Queens, NY (catalog)
Art Galaxy, New York, NY
Pam Adler Gallery, New York, NY
Special Installation, MoMA PS 1, Long Island City, New York, NY
Art on Paper, Weatherspoon Gallery, UNC, Greensboro, NC (catalog)
Color on Structure, Patterson College, NJ (catalog)
Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, IN (catalog)
Summer exhibition, Pam Adler Gallery, New York, NY
Corners, MIT, Cambridge, MA (catalog)
Double Take, New Museum of Contemporary Art, New York, NY
New Abstract Objects, Hallwalls, Buffalo, NY
Eugenia Cucalon Gallery, New York, NY
New Work/New York, Gallery of July & August, Woodstock, NY
14 American Artists, Galerie Litho, Teheran, IR
USA Cont. Artists, Galerie Du Grands Hornu, BE
Works on Paper, Galerie Tanit, Munich, DE
Artists in the University of California, La Jolla Museum of Art, La Jolla, CA (catalog)
Galerie Alexandra Monett, Brussels, BE
Heath Gallery, Atlanta, GA
Drawings, Albright-Knox Art Gallery, Buffalo, NY
American Painting Today, Indianapolis Museum of Art, IN (circulating exhibition; catalog)
Paperworks, Rosa Esman Gallery, New York, NY
Four New York Painters, New Gallery, Cleveland, OH
New Abstract Painting, Vassar College, NY (catalog)
Annual of American Painting, Whitney Museum of American Art, New York, NY (catalog)
Numerous California and southwest group exhibitions
Becton Dickinson, Paramus, NJ
Blanton Museum of Art, Austin, TX
Bowdoin College Museum of Art, Brunswick, ME
Buffalo AKG Art Museum, Buffalo, NY
Chase Manhattan Bank, New York, NY
Dallas Museum of Art, Dallas, TX
Foundation for Art and Preservation in Embassies, USA
Oceanside Museum of Art, Oceanside, CA
Prudential Insurance Co., New York, NY
San Francisco Museum of Art, CA
Shearman & Sterling, New York, NY
Simpson Thatcher & Bartlett, New York, NY
Southeast Banking, Miami, FL
TRW, Cleveland, OH
Whitney Museum of American Art, New York, NY
William R. Mercer, Inc., New York, NY