Ken Lum

Ken Lum, America at Night, 2021, Canon LED curable inks, mirror, aluminum, 72h x 72w in.

Ken Lum, Purple Square, 2022, Sectional furniture, 34h x 91w x 91d in.

Ken Lum, Anna May Wong, 2021, Canon LED curable inks, mirror, aluminum, 54h x 54w in.

Installation view, Ken Lum, Magenta Plains, New York, NY 2022.

Ken Lum, Main Street, USA, 2021, Canon LED curable inks, mirror, aluminum, 72h x 72w in.

Installation view, Ken Lum, Magenta Plains, New York, NY 2022.

Ken Lum, Little Big Horn, 2021, Canon LED curable inks, mirror, aluminum, 54h x 54w in.

Installation view, Ken Lum, Magenta Plains, New York, NY 2022.

Ken Lum, They have no idea how much I work, 2021, Digital print on archival paper, 60 5/16h x 85 1/16w x 3d in.

Installation view, Ken Lum, Magenta Plains, New York, NY 2022.

Ken Lum, The Most Unfortunate Case of Lucy Chona Santos, 2017, Archival ink on Hahnemühle Photo Rag Ultra Smooth paper, adhered to dibond, framed in powder coated aluminum, 85 1/4h x 61w x 2 1/2d in.

Installation view, Ken Lum: Death and Furniture, Remai Modern, Saskatoon, SK 2022. Image courtesy of the Remai Modern.

Installation view, Ken Lum: Death and Furniture, 2022, Art Gallery of Ontario, Toronto, ON 2022. Image courtesy of the Art Gallery of Ontario.

Ken Lum, Life as a Keypunch Operator, 2016, Archival ink on Hahnemühle Photo Rag Ultra Smooth paper, adhered to dibond, framed in powder coated aluminum, 96 1/4h x 60 1/4w x 3d in.

Installation view, Ken Lum: What's old is old for a dog., 2018, CCA Wattis Institute, SF. Image courtesy of the CCA Wattis Institute. Photography by Phillip Maisel.

Ken Lum, Untitled Furniture Sculpture, 1980-, Sectional Furniture, dimensions variable. Image Courtesy of the Hirshhorn Museum and Sculpture Garden.

Ken Lum, Mirror Maze with 12 Signs of Depression, 2002, mirrors and text, Dimensions variable. Image courtesy of the Vancouver Art Gallery.

Ken Lum, Photo-Mirror: Sunset, 1997, maple wood, mirror, photographs, 27h x 13.5w in. Image courtesy of the Vancouver Art Gallery.

Ken Lum, Boon Hui: Photography, 1987/2020, UV print and enamel on aluminum, 47 7/8 x 116 in.

Ken Lum, Steve, 1986, Chromogenic print on acrylic sheet, Dimensions variable.

Ken Lum, Red Circle, 1986, fabric, wood, Dimensions variable. Image courtesy of the Kunstinstituut Melly.

Installation view, Ken Lum in Damaged Goods: Desire and the Economy of the Object, New Museum, New York, NY 1986. Image courtesy of the New Museum.

Ken Lum, Amrita and Mrs Sondhi, 1986, Dye coupler print and acrylic paint on opaque plexiglass, 40 x 89 x 2.5 in.