Estate of Paul Gardère

Paul Gardère, Casual Hero, 1990, Acrylic, mud, collage, rope, glitter, and mixed media on plexiglass and wood, 72 x 24 x 5 1/2 in.

Paul Gardère, Gazing Through History, 1990, Watercolor, ink, postcard, and collage on paper, 27 3/16 x 21 7/16 x 1 5/8 in.

Paul Gardère, Untitled (Heads No. 40), 1991, Ink on paper, 27 3/16 x 21 7/16 x 1 5/8 in.

Paul Gardère, The Legacy, 2000, Acrylic, glitter, digital print, linoleum, and framed C-prints on wood, 72 x 48 1/2 x 4 in.

Installation view, Paul Gardère: Second Nature, Magenta Plains, New York, NY, 2025

Paul Gardère, A House in 3 Worlds, 1996, Acrylic, glitter, digital print, framed C-prints, tin, and found objects on wood, 49 x 48 x 3 1/2 in.

Paul Gardère, The Rose Tattoo, 2000, Acrylic, mud, glitter, digital print and found objects on wood, 70 x 60 x 4 in.

Installation view, Paul Gardère: Second Nature, Magenta Plains, New York, NY, 2025

Paul Gardère, Waiting for Daddy, 1998, Acrylic, mud, glitter, digital print, and wood logs on wood, 66 x 33 3/4 x 4 in.

Installation view, Paul Gardère: Second Nature, Magenta Plains, New York, NY, 2025

Paul Gardère, The Snowman, 1986, Acrylic, color pencil and plaster relief on masonite and wood, 98 x 50 x 4 1/2 in.

Installation View, Duet, WSA Building, New York, NY, 2025

Paul Gardère, Desire, 1996, Acrylic, glitter, mud, tin, and fabric on wood, 65 x 38 1/2 x 4 in.

Installation view, Surrealism and Us: Caribbean and African Diasporic Artists since 1940, Modern Art Museum of Forth Worth, TX, 2024

Paul Gardère, The King, 1981, Acrylic, colored pencil on masonite, in original gilded frame, 48 x 33 in.

Installation view, Paul Gardère: Vantage Points, Stuyvesant Fish House, Cooper Union, New York, NY, 2024-25

Installation view, Paul Gardère: Vantage Points, Stuyvesant Fish House, Cooper Union, New York, NY, 2024-25

Installation view, Repossession: Didier William and Paul Gardère, Zimmerli Art Museum, Rutgers University, New Brunswick, 2024

Installation view, Paul Gardère + Didier William, Soft Network, New York, NY, 2022

Paul Gardère, Secret Language, 1999, Acrylic, glitter, inorganic material and ink on paper on canvas, 49 9/16 x 67 7/8 x 4 9/16 in. Collection of the Smithsonian National Museum of African American History and Culture, Washington D.C.

Paul Gardère, High Priest of Carnaval, 2008, Acrylic, ink, paper, colored pencil, collage, iris print, plexiglas, wood, 52 x 46 in. Collection of the Columbus Museum, GA.

Paul Gardère, Giverny Revisited, 1997, Acrylic, glitter, mud, fabric, tin, framed C-prints, and pennies on black silk, canvas, and wood, 48 x 52 x 4 in.

Installation view, Paul Gardère: Recent Works, 1995-1998, Jersey City Museum, NJ, 1999

Paul Gardère, Babel Old and New, 2000, Acrylic, glitter, and digital print on wood, 26 1/4 x 28 3/4 x 4 3/4 in.

Installation view, Paul Gardère in Diaspora Expressions, Haitian Embassy to the United States of America, Washington D.C., 2019

Paul Gardère, Top Hat, 2000, Acrylic, glitter, digital print, and framed C-print on wood, 26 x 18 1/4 x 4 1/2 in.

Installation view, Paul Claude Gardère et Edouard Duval-Carrié, Musee d'Art Haitien du College St. Pierre, Port-au-Prince, HT, 1983