Stan VanDerBeek Archive

2024

McNulty, Benjamin. "‘Movie-Drome 2.0’ Collaborative Production Revives 1965 Exhibit." The Colgate-Maron News, 22 November 2024.
"With Soft Network, the Experimental Artists of the Past Get a New Life." Observer, 24 October 2024.
"This Fall, You’re Spoiled for Choice When It Comes to U.S. Museum Shows. Here Are the Ones That Matter." Cultured, 9 September 2024.
"Interview with Zalán Szakács - Eigengrau Pavilion." Nederland's Film Festival, 20 September 2024.
"See Alternative Views of New York by Stan VanDerBeek, Weegee, and More in a New Film Series." Artnet, 29 April 2024.
Civin, Marcus. "Stan VanDerBeek: Transmissions - Machine Man with a Human Heart." STIRworld, 14 April 2024.
Curl, Julia. "Stan VanDerBeek’s Virtual Windows on the World." Hyperallergic, 9 April 2024.
Lehrer, Adam. "The Future Was Then." Compact Magazine, 4 April 2024.
Frailey, Stephen. "Stan VanDerBeek: Transmissions." The Brooklyn Rail, 3 April 2024.
Ashford, Meighan. "Stan VanDerBeek: Transmissions | Magenta Plains." Musée, 3 April 2024.

2023

Villa, Angelica. "Estate of Stan VanDerBeek, Experimental Filmmaker and ‘Agitator,’ Joins Magenta Plains." ArtNews, 14 November 2023.
"OFFSCREEN Holds Successful Second Art Event," Arts & Collections, October 2023.
Corris, Michael. "Stan VanDerBeek," Artforum, 10 September 2023.
Farago, Jason. "The Crossed ‘Signals’ of MoMA’s Largest Ever Video Show." The New York Times, 6 July 2023.
Goldstein, Caroline. "Independent’s Spring Edition Demonstrates the Market’s Turn Toward Diverse, Thoughtful Work Over Trophies." ArtNet News, 19 May 2023.
Schwendener, Martha. "The Independent, More Inclusive Than Ever." The New York Times, 11 May 2023.
VanDerBeek, Stan. "From the Archives: Experimental Filmmaker Stan VanDerBeek on the Computer’s Emergence as a Creative Tool." Art in America, 8 May 2023.
Scott, Felicity D. "Culture Intercom: Stan VanDerBeek’s Movie-Drome," MoMA Magazine, 1 May 2023.
Wu, Jenny. "The Rogue Signals of Half a Century of Video Art." Art Review, 18 May 2023.
Dayal, Geeta. "Coded." 4Columns, 21 April 2023.
Greenberger, Alex. "MoMA’s Biggest Video Art Survey in Years Is a Winner." ArtNews, 6 March 2023.
Solomon, Tessa. “The Overlooked Art of the Computer Age Gets Its Due in a New Show at LACMA.” ARTnews, February 17, 2023.
Chen, Min. “Revisit the Dawn of the Digital Age Through These 9 Key Works From LACMA’s Exhibition on Early Computer Art.” Artnet News, February 17, 2023.

2020

Mey, Adeena. “Repurpose and Remake.” Afterall Journal, 50, Autumn/Winter.
The Anthology of Black Mountain College Poetry. Blake G. Hobby, Joseph Bathanti, and Alessandra Porco, editors. Jargon Society, Black Mountain College Museum + Arts Center.
Walley, Jonathan. Cinema Expanded: Avant-Garde Film in the Age of Intermedia. Oxford University Press.
Léon, Benjamin. "De la spécificité du médium à celle du lieu comme spécificité: l’écran performatif du cadre dans le cinéma élargi." La Part de l’oeil, March 18, 2020.
Lucas, Peter. “Gerald O’ Grady and the Houston Media Experiment.” Glasstire, January 25, 2020.

2019

Hagler, Jurgen, Expanded Animation: The Anthology. Hatje Cantz.
Moore, Thomas. “Beautiful Dreamer.” UMBC Magazine, December 3, 2019.
Stoll, Diana. “A Father and Daughter’s Art in Conversation Across Six Decades.” Hyperallergic, October 21, 2019.
Koreitem, Zeina. “Becoming Digital: Some Notes on Making Images with Computers.” E-Flux Architecture, e-flux.com, July 12, 2019.
Dryansky, Larisa. “Paleocybernetics: Technology and the Prehistoric Imaginary in American Art of the 1960s and 1970s.” RES, (69/70), 2019.

2018

Nieland, Justus. “Conference Technique: The Goldsholls and the Aspen Idea” in Up is Down: Mid-century Experiments in Advertising and Film at the Goldsholl Studio. Amy Beste and Corinne Granof, Eds. (Block Museum of Art, 2018)
Bloch, Mark. “The Deep Roots and Airborne Particulars of Judson Dance Theater,” The Brooklyn Rail, December 20, 2018.
Hunter, Lucy. “Decades Before Facebook and Google, American Corporations Sought Out Artists to Tap Their Creativity,” Artsy, July 6, 2018.
Huang, Banyi. “Negotiating Gender, Labor, and Authorship: Thinking Machines: Art and Design in the Computer Age, 1959-1989.” The Brooklyn Rail, February 7, 2018.
Henry, Jim. “A MoMA exhibit traces the parallels between art, design, and computing,” Wallpaper,* January 9, 2018.

2017

Baker, R.C. “A New Show at MOMA Explores the Ghosts in Our Machines,” The Village Voice, December 2, 2017.
Dayal, Geeta. “Thinking Machines,” 4Columns, November 17, 2017.
Smith, Roberta. “A Nervy Makeover,” The New York Times, September 15, 2017.
Harris, Gareth. “Art Basel’s Unlimited sector: five highlights,” Financial Times, June 9, 2017.
Goldstein, Andrew and Julia Halperin. “The 10 Most Extraordinary Artworks at Art Basel Unlimited 2017,” Artnet News, June 13, 2017.
Eastham, Ben. “The continued expansion of Art Basel,” Apollo, June 7, 2017
Martinez, Christina Catherine. “The Had Whole Buildings for That (Now We Use Diapers),” Artslant, March 6, 2017.
Davis, Ben. “How Merce Cunningham Danced Art History in a New Direction,” Artnet news, April 17, 2017.
Pangburn, DJ. “Two Artists Ask, Is Virtual Reality Becoming 'A Nightmare You Can’t Wake Up From?'” Vice: Creators, February 1, 2017.
Spengemann, Chelsea. “Fires Blazing on the Moon,” Affidavit, January 16, 2017.
Balsom, Erika. “Dreamlands: Immersive Cinema and Art 1905-2016,” Artforum, January 2017.

2016

Pinkerton, Nick. “Dreamlands.” Frieze, Dec. 7, 2016.
Uroskie, Andrew. “Dreamlands: Immersive Cinema and Art.” 4Columns, Dec. 2, 2016.
Budick, Ariella.“Art and tech: lost in a sea of screens.” Financial Times, Dec. 2, 2016.
Smith, Roberta. “Diving Into Movie Palaces of the Mind at the Whitney.” New York Times, Dec. 1, 2016.
Jones, Kristin M. “‘Dreamlands’ at the Whitney Museum: Between Illusion and Reality.” Wall Street Journal, Nov. 1, 2016.
Delson, Susan. “At the Whitney, a Different Take on the Moving Image.” Wall Street Journal, October 25, 2016.
Lucca, Violet. “Yesterday’s Tommorows: The Cold War ecstasies of 1960s computer animation.” Film Comment 52, no. 4 (July/August 2016): 15.
Noll, A. Michael. “First-Hand: The VanDerBeek-Knowlton Movies.” Leonardo, May 5, 2016.

2015

Smith, Roberta. “The Best in Art of 2015.” New York Times, Dec. 9, 2015.
Patterson, Zabet. Peripheral Vision. Cambridge: The MIT Press, 2015.
Kramer, Kaitlyn A. “A Room With A Field: Stan VanDerBeek’s Poemfields,” Artcritical, July 4, 2015.
Goldsmith, Leo. “Stan VanDerBeek: Andrea Rosen Gallery 2.” Art Agenda.com, June 16, 2015.
Smith, Roberta. “Review: Stan VanDerBeek at Andrea Rosen Gallery.” New York Times, June 1, 2015.
Sutton, Gloria. The Experience Machine: Stan VanDerBeek’s Movie-Drome and Expanded Cinema. Cambridge: The MIT Press, 2015.
Nisbet, James. “Stan VanDerBeek: The Box.” Artforum (February 2015).

2014

“Best of 2014: Our Top 10 Exhibitions Across the United States,” Hyperallergic, December 26, 2014.
Keefe, Alexander. “Stan VanDerBeek: The Box,” Artforum
Mizota, Sharon. “Remembering the early computer-generated art of Stan VanDerBeek,” Los Angeles Times, September 25, 2014.
Stromberg, Matt. “Stan VanDerBeek: Poemfield at the Box,” Dailyserving, October 14, 2014.
Uroskie, Andrew. Between the Black Box and the White Cube: Expanded Cinema and Postwar Art. University of Chicago: 2014.

2013

Sutton, Gloria. “Stan VanDerBeek,” Art in America 101, no. 1 (January 2013): p. 66.

2012

Doubal, Rosalie. “The Historical Box,” Time Out (London), June 14, 2012.
Bianconi, Giampaolo. “Even Alien Whales: Stan VanDerBeek’s Brainchildren.” Rhizome, July 11, 2012.
Holmes, Kevin. “Original Creator: Avant-Garde Filmmaker And Visual Artist Stan VanDerBeek,” The Creators Project, September 17, 2012.
Latimer, Quinn. “The Historical Box,” Frieze, January 2, 2012.
Sam, Sherman. “The Historical Box,” Artforum.
Schjeldahl, Peter. “Machine Dream,” New Yorker, August 6, 2012.
Smith, Roberta. “Technology Advances, Then Art Inquires,” New York Times, July 19, 2012.

2011

Arning, Bill and Joao Ribas. Stan VanDerBeek: The Culture Intercom. Contemporary Arts Museum Houston/MIT List Visual Arts Center, Cambridge, MA, 2011. Exhibition catalog.
Dowell, Pat. “Stan VanDerBeek: Film on the cutting edge.” National Public Radio. July 10, 2011.
Kaizen, William. “Stan VanDerBeek:The Culture Intercom.” Artforum, (April 2011): 210.
Schulze, Troy. “Tech Art,” Houston Press. June 22, 2011.

2010

Bartlett, Mark, ed. animation: an interdisciplinary journal 5, no. 2 (July 2010).
Berry, Ian. Amazement Park: Stan, Sara, and Johannes VanDerBeek. Tang Museum and DelMonico Books, Prestel Publishing, 2010. Exhibition catalog.

2009

Amidi, Amid. “A Stan VanDerBeek Retrospective.” In Ottawa International Animation Festival 2009 Reader, 74-78. Ottawa: Ottawa International Animation Festival, 2009.
Meade, Fionn. “Stan VanDerBeek: Guild & Greyshkul.” Artforum 47, no. 5 (January 2009): 210.
Nichols, Matthew Guy. “Stan VanDerBeek: Guild & Greyshkul.” Art in America 97, no. 1 (January 2009): 108.
Myers, Holly. “Layer Upon Layer of Technology.” (Review of Stan VanDerBeek at the Box.) Los Angeles Times, April 3, 2009.

2008

Baker, R.C. “Best in Show: Stan VanDerBeek at Guild & Greyshkul.” The Village Voice (October 1, 2008): 43.
Bartlett, Mark. “The Politics of Media in Stan VanDerBeek’s Poemfields.” animation: an interdisciplinary journal 3, no. 3 (November 2008): 266-287.
Cotter, Holland. “Art in Review: Stan VanDerBeek.” The New York Times, October 10, 2008, C34.
Dupuis, Isabelle. “Stan VanDerBeek.” Flash Art 41, no. 263 (November-December 2008): 85.
Leighton, Tanya, ed. Art and the Moving Image, A Critical Reader. London: Tate Publishing in association with Afterall, 2008.
Mack, Joshua. “Stan VanDerBeek, Works from 1950-1980.” Time Out New York (April 24-30, 2008): 101.
Olson, Marisa. “Art Keeps on Slipping Into the Future.” Rhizome, October 2, 2008.
Scott, Andrea K. “All in the Family.” The New Yorker, May 1, 2008.
Sholis, Brian. “Sara VanDerBeek: 500 Words.” Artforum, September 14, 2008.
Smith, Roberta. “The Listings: The Human Face is a Monument.” The New York Times, April 25, 2008, E19.
Wiley, Chris. “Exhibition Review: Stan VanDerBeek at Guild and Greyshkul” Daylight Daily Blog, Daylight Magazine 7, October 15, 2008.

2007

Cattelan, Maurizio, Massimiliano Gioni, and Ali Subotnick. Charley 05. Dijon: Les Presses du Réel, 2007.

2006

Curiger, Bice, et al. The Expanded Eye: Stalking the Unseen. Ostfildern, Germany: Hatje Cantz, 2006. Exhibition catalogue, Kunsthaus Zürich.
Grunenberg, Christoph. Summer of Love. Liverpool: Liverpool University Press, 2006. Exhibition catalogue.
Michaud, Phillippe-Alain. Le Mouvement des images. Paris: Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, 2006.

2004

Leung, Simon, and Zoya Kocur. Theory in Contemporary Art Since 1985. Hoboken, NJ: Wiley, 2004.
Michalka, Mathias, et al. X-Screen: Film Installations and Actions in the 1960s and 1970s. Koln: Verlag der Buchhandlung Walther König, and Vienna: Museum Moderner Kunst Stiftung Ludwig, 2004. Exhibition catalogue.

2003

Claus, Jürgen. “Stan VanDerBeek: An Early Space Art Pioneer.” Leonardo, Volume 36, Number 3, June 2003, p. 229.
Sutton, Gloria. “Stan VanDerBeek’s Movie-Drome: Networking the Subject.” In Future Cinema: The Cinematic Imaginary after Film, edited by Jeffery Shaw and Peter Weibel. Karlsruhe: Center for Art and Media (ZKM) and MIT Press, 2003.

2002

Adams. Visionary Film: The American Avant-Garde, 1943-2000. USA: Oxford University Press, 2002.

2000

VanDerBeek, Johanna. Re:Voir Video Catalogue. Paris: 2000.

1999

Rees, A.L. A History of Experimental Film and Video. London: British Film Institute, 1999. Sitney, P.

1994

Sklar, Robert. Movie-Made America: A Cultural History of American Movies, 314. New York: Vintage, 1994

1992

Barnouw, Erik. Documentary: A History of the Non-Fiction Film. USA: Oxford University Press, 1992
Toung, Art. “Cinema Experimental: Stan VanDerBeek.” Revue & Corrigée, no. 14 (Fall 1992): 24-5.

1986

ACM Siggraph. ACM Siggraph 86 Art Show: 13th Annual Conference on Computer Graphics and Interactive Techniques. Dallas: ACM Siggraph, 1986. Exhibition catalogue.
Artists in the Computer Age. Toledo: Owens-Illinois Art Center, 1986. Exhibition catalogue.

1985

Vogel, Amos. “Orbits: Eternal Experimenter.” Film Comment 21, no. 1 (February 1985): 69.

1984

Feiler, Alan. “VanDerBeek dies of cancer at age 57.” Retriever, September 25, 1984.
Hitzig, Michael. “Innovative Rockland filmmaker succumbs to cancer at age 57.” The Journal News, September 21, 1984.
“Stan VanDerBeek Dies at 57; Made Experimental Movie.” The New York Times, September 22, 1984
“VanDerBeek honored.” The Columbia Flier, February 9, 1984, 87.
“Video: Stan VanDerBeek.” The Village Voice (March 21-27, 1984).

1983

Allen, Jane Addams. “Computer Art: Future Shock.” The Washington Times Magazine, August 26, 1983.
Reid, Bruce. “It’s video screens as well as canvases for computer-age art students.” The Sun, May 29, 1983.

1982

SIGGRAPH ’82 Art Show. Sheraton Boston Hotel, Liberty Complex. July 26-29, 1982.

1980

Hill, Michael. “Look at Independent Filmmakers on PBS is surprising, irreverent.” Evening Sun papers, September 10, 1982.
Weiss, M.W. “VanDerBeek to Students: Take a High Risk.” Journal of the University Film Association, Carbondale 34, no. 2 (Spring 1982): 19-21.
“Not to be Mist.” The Village Voice (November, 1980).

1979

Giuliano, Mike. “The Membrain brain: He’s ahead of the times back in the womb.” The News American, October 28, 1979.
“VanDerBeek wins Guggenheim Fellowship.” Retriever, May 14, 1979.
“Whitney to Show Computerized Film Images on Steam.” The New York Times (November 15, 1979): Page C17.

1978

MacDonald, Scott. “Independent film: where’s the audience?” Afterimage 5.9 (March 1978): 6-7.
“VANDERBEEK with Computer Graphics by Stan VanDerBeek.” Lightworks, no. 10(Fall 1978): 17-9.
Copy Art: The First Complete Guide to the Copy Machine, Lester Alexander, Steve Ditlea, Claudia Katayanagi, Patrick Firpo, New York, NY: Horseguard Lane Productions, Ltd.

1976

Hanhardt, John, et al. A History of the American Avant-Garde Cinema. New York: The American Federation of Arts, 1976. Exhibition catalogue.
Russett, Robert, and Cecile Starr. Experimental Animation: An Illustrated Anthology, 197-202. New York: Van Nostrand Reinhold Company, 1977
“VanDerBeek Exhibit in Library: The Work of a New Futurist.” Retriever, April 12, 1976, 5.

1975

Martin, Robert. “VanDerBeek’s images: pathways or seducers.” The Tampa Times, June 12, 1975.
Powell, Fred. “Filmmaker’s computer art fascinating visual experience.” Falcon Times, January 29, 1975.
Schoettler, Carl. “Artist of the Future Working with Computers, Videos, Lasers.” The Baltimore Evening Sun Accent, December 2, 1975.

1974

English, Diane. “Profile: Stan VanDerBeek, Creator of Dreams.” Vision News 1, no. 3 (May 1974).
“Films to feature computer animation.” The Oracle, May 17, 1974.
“UFS’s VanDerBeek on Video Visionaries Show,” The Neighbor Newspaper, October 16, 1974.
Youngblood, Gene. Expanded Cinema, 2nd ed. New York: Dutton, 1974.

1973

Davis, Douglas. Art and the Future: A History/Prophecy of the Collaboration Between Science, Technology and Art. London: Thames and Hudson, 1973.
M.R. “Stan VanDerBeek, ‘Dans le Vent.’” Journées internationals du cinema d’animation festival d’annecy (January 1973): 5.
“Stan Vanderbeek Productor de Peliculas Experimentalies se Encuentra en Mexico.” Novedades, August 10, 1973, 16.
“VanDerBeek stuns Issues crowd with visual images.” Daily Utah Chronicle 83, no. 12, October 12, 1973.
Vrchota, Janet. “Stan VanDerBeek: Technology’s Migrant Fruitpicker.” Print (1973): 48-54.
Wright, Fred. “The Art Machine: Stan VanDerBeek turns on the computer and the Old Masters gasp–he hopes.” Floridian, April 8, 1973.
Interview by Ed Emshwiller, Media Center, Inc., State University of New York at Buffalo, Buffalo, NY(recorded December 15, 1973)

1972

“Cine Dreams is a Sellout.” Rochester Democrat and Chronicle, January 9, 1972. Curtis, Davis.
Experimental Cinema. London: Studio Vista, 1972.
“Dream Job.” Rochester Democrat and Chronicle, February 29, 1972.
Greenspun, Roger. “Screen: Stan VanDerBeek’s Underground Shorts: Retrospective Offered at the Film Forum.” The New York Times, December 9, 1972, 28.
Mekas, Jonas. Movie Journal. New York: Macmillan, 1972.
“Mind Cinema.” Rochester Democrat and Chronicle, January 21, 1972.
Multiple Interaction. Cambridge, MA: The Center for Advanced Visual Studies, MIT, 1972. In collaboration with the Museum of Science and Industry, Chicago, IL; The Palace of Arts and Science, San Francisco, CA; and the Science Museum of the Franklin Institute, Philadelphia, PA. Exhibition catalogue.
O’Grady, Gerald. “Praxis as Axis: Autobiography in the New American Cinema.” SEE 5, no. 3 (January 1972): 30-4.
Plutzik, Roberta. “It’ll Put You to Sleep.” Rochester Democrat and Chronicle, February 20, 1972.
“They Dreamed of Staying Up.” Rochester Democrat and Chronicle, February 27, 1972.

1971

“Art By Telephone.” Print, January/February 1971.
Al Hayat, September 7, 1971.
Al-Liwa, September 5, 1971.
An Nahar, August 28, 1971.
An Nahar, September 11, 1971.
Ayin, Hushang Mehr. “The Computerized Film.” Kayhan International, August 29, 1971.
Cines D’Orient, September 4, 1971.
Evans, Anita. “American Film-Maker Uses Media for Satire.” The Daily Star, September 9, 1971.
Katz, John S., Perspectives on the Study of Film. New York: Little Brown & Company, 1971.
"Media Wrap Around or a Man with No Close.” Filmmakers’ Newsletter 4, no. 5 (March 1971): 20-5.
Le Grice, Malcolm. “Computer Films.” Time Out 98, December 1971.
Mekas, Jonas. “Movie Journal.” The Village Voice (July 1, 1971).
"Stan VanDerBeek, un filleul (americain).” L’Orient-Le Jour (supplement), August 28, 1971.
O’Connor, John. “When it Works, it’s Art, When it Doesn’t, Well…” The New York Times, July 4, 1971.
Sabet, Magda. “Spotlight.” The Daily Star, September 5, 1971.
“Stan VanDerBeek (Bilan de l’Underground).” Magazine, September 16, 1971.

1970

Anderson, Web. “Cinematography workshop on UH campus, experimental filmmaker here to teach.”The Sunday Star-Bulletin & Advertiser, July 12, 1970, 32-33.
Secrest, Meryle. “Explorations: Art Weds Technology.” Washington Post, April 4, 1970.
Schaden, Herman. “Encounter Blends Art, Technology.” The Evening Star, April 4, 1970.
Glueck, Grace. “Explorations Spotlights Use of Technology in Art.” The New York Times, April 6, 1970.
Davis, Douglas. “Improbable Marriage.” Newsweek (April 20, 1970).
Gibson, Richard. “Art in Process telephoned to layer mural on bank wall.” The Minneapolis Star, March 21, 1970.
Davis, Douglas. “Television’s Avant-Garde.” Newsweek (February 9, 1970).
Durniak, John. “The VanDerBeek Dimension.” In U.S. Camera World Annual 1970, 72-80. New York: U.S. Camera Publishing, 1970.
Johnston, Jill. “Thanks for the Zonkers.” The Village Voice (January 22, 1970).
Renan, Sheldon. “An Introduction to the American Underground Film.” Film Culture (1970): 48-9.
Wasserman, Emily. “Explorations—Toward a Civic Art.” in Youngblood, Gene. Expanded Cinema. New York: Dutton, 1970.
Artforum 8, no. 10 (June 1970): 87-9.
Art in America, January/February 1970

1969

Tono, Yoshiaki. “Stan Vanderbeek: Wizard of Expanded Cinema.” Graphic Design, No. 34 (1969).

1968

Cook, Camille. “Film Maker Stan VanDerBeek.” ArtScene (June 1968).
Cook, Camille. “VanDerBeek’s films to be shown Thursday.” Chicago Daily News, June 19, 1968.
Currie, Hector, ed. Cinema Now. Cincinnati: University of Cincinnati Press, 1968.
Currie, Hector, and Michael Porte. Perspectives on American Film: Stan Brakhage, John Cage, Jonas Mekas, Stan VanDerBeek. Cincinnati: University of Cincinnati Press, 1968.
Thorpe, Dean. “Producer Cites ‘New World of Art Forms.’” Corpus Christi Caller, July 11, 1968.

1967

Adams, Marjory. “Movies—Maybe—in the Round, ‘Live’ Cinema for Tomorrow?” The Boston Globe, February 19, 1967.
Christgau, Robert. “Vanderbeek.” Cavalier 17, no. 9 (July 1967): 61-65.
Christgau, Robert. “When VanDerBeek A MovieDrome Decreed.” New York/World Journal Tribune, March 5, 1967.
Clark, Tom. “VanDerBeek: Man, Movies, Metaphor.” Focus (October 1967): 3-4.
Clarke, Shirley. “A Statement on Dance and Film.” Dance Perspectives 30 (Summer 1967): 30-2.
Schwartz, Eugene. “Film Festival: Good Spots.” Columbia Daily Spectator, October 3, 1967.
Thomas, Kevin. “VanDerBeek to Show Films.” Los Angeles Times, March 31, 1967, C10.
Whitehall, Richard. “Film Artist in Residence at USC; VanDerBeek Uses Light and Live Dance.” The Los Angeles Free Press, April 21, 1967.
Van Dyke, Manica A., and W. Van Dyke. “Four Artists as Filmmakers.” Art in America 55, no. 1 (January 1967): 64-66.
Zaremba, Chuck. “USC Plans to ‘Focus on the Arts.’” University of South California Daily Trojan, March 17, 1967.

1966

Albarino, Richard. “Frug, Pulsating Images, Light Patterns: Can NY Youth Take so Much Emotion?” Variety (March 2, 1966).
“Movies: Masters and Mavericks.” Newsweek (October 3, 1966): 105B-107.
Sontag, Susan. “On Culture and the New Sensibility.” Against Interpretation. New York: Dell, 1966.
“A Portfolio of Photographs From NY Film Festival by Elliott Landy.” Film Culture No. 42 (Fall 1966).
Renan, Sheldon with Photos by Peter Moore. “Festival at the Film-Makers’ Cinematheque.” Art Voices. (Winter 1966): 36-39.

1965

Christgau, Robert. “VanDerBeek: Master of Animation.” Popular Photography (September 1965): 106-11.
Fleck, Dirk C. “Neues aus New York.” Freitag, December 10, 1965.
Hajek, Peter. “Wien-Premiere: ‘Expanded Cinema.’” Kurier, December 20, 1965.
“Nette und verspielte Zelluloid-Reformer.” Berliner-Morgenpost, December 10, 1965.
Niehoff, Karena. “Drehwurm mit Augenflimmern.” Der Tagesspiegel/Feuilleton, December 10, 1965.
Sheehy, Gail. “Six Hours in the Lobby.” New York Herald Tribune, September 15, 1965.
“Versuche aus USA.” Telegraf-Feuilleton, December 10, 1965.
“Völkerverständigung in Bildern, Gespräch mit dem New Yorker Filmregisseur Stan VanDerBeek.” Spandaue Volksblatt, December 8, 1965.
Tulane Drama Review 1964-6 "Interview: Chapter One.” Film Culture, no. 35 (1964-1965)

1964

Mener, Jacques. “Breathdeath.” Script 10-12 (March 1964): 68-9.

1962

Mekas, Jonas. “Movie Journal: The Year’s Best.” The Village Voice, January 11, 1962.
Tompkins, Calvin. The Bride and the Bachelors: Five Masters of the Avant-Garde. New York: The Viking Press, 1962.
Film Culture, No. 24 (Spring 1962), p. 92

1961

Mekas, Jonas and Dick Bergman. “Movie Journal.” The Village Voice, May 4, 1961