Organized by Adam Marnie
Aura Rosenberg, Barbara Ess, Calvin Marcus, Craig Smyth, Hannah Buonaguro, Heather Bursch, Kevin Zucker, Megan Plunkett, NOWORK, Peter Sutherland, Roni Shneior, Ryan Foerster, Steel Stillman, Thatcher Keats
January 8–February 12 2017
Peter Sutherland, San Arco, 2017, inkjet print on perforated vinyl, 91h x 244w in
Installation view, The Garden of Forking Paths, Organized by Adam Marnie, Magenta Plains, New York, NY, 2017
Thatcher Keats, Honey Shelf, 2013, wood, honey jars, honey, screws, glue, 96h x 11.5w x 5d in.
Heather Bursch, Hinge: Periphery to Mark an Interior (far right), 2016, marble, brass, brass leaf, magnets, dimensions variable
Craig Smyth, Morris Jepson Weapon Test Officer Enola Gay Mission 6 Aug. 1945 Hiroshima Japan, 1994, autographed baseball, 2.9h x 2.9w x 2.9d in.
Steel Stillman, Untitled, 2012, archival inkjet print, 18.5h x 16.5w x 1.125d in. Edition 2/5 and Steel Stillman, Untitled, 2012, archival inkjet print. 18.5h x 16.5w x 1.125d in. Edition 2/5
Roni Shneior, Cheers, 2017, ceramic, paper, glue, epoxy, steel mesh, spray paint, nail polish, beer can, flashlight, 54h x 24w x 12d in.
Installation view, The Garden of Forking Paths, Organized by Adam Marnie, Magenta Plains, New York, NY, 2017
Kevin Zucker, Twelve Cities, 2016, pastel rubbing on paper, 38h x 50w in.
Megan Plunkett, Semi-Detached (on window), 2016, digital print on paper, Plexiglas, frame, wood, hardware, 35h x 55w in.
Ryan Foerster and Hannah Buonaguro, and the people sat down to eat and (detail), 2017, wood, glass, paint, linoleum, c-prints, duct tape, string, wax, paper, plastic, fabric, wire, polyurethane, tomato plants, bagel
Ryan Foerster and Hannah Buonaguro, and the people sat down to eat and (detail), 2017, wood, glass, paint, linoleum, c-prints, duct tape, string, wax, paper, plastic, fabric, wire, polyurethane, tomato plants, bagel
Installation view, The Garden of Forking Paths, Organized by Adam Marnie, Magenta Plains, New York, NY, 2017
Aura Rosenberg and Adam Marnie, Je sens deux hommes, un gorille et une femme en moi, 2017, inkjet photo collage, framed: 26.4h x 19.6w in.
Steel Stillman, Untitled, 2012, archival inkjet print, 18.5h x 16.5w x 1.125d in. Edition 1/5
Barbara Ess, The Feeling Tone of Sensation, n.d. lead, 14h x 11w in.
NOWORK (Tuomas Korpijaakko and Pierre Le Hors), A Ham Sandwich with Masonite, 2017, six folding tables with etched plastic nameplates, digital prints, Xeroxes, six wax lightbulbs, Plexiglas, oil and enamel on aluminum, framed digital c-print, five gallon water jug, trouble light, 60 watt lightbulb, two metal folding chairs, white noise machine, sixty-four page spiral bound booklet, dimensions variable
NOWORK (Tuomas Korpijaakko and Pierre Le Hors), A Ham Sandwich with Masonite (detail), 2017, six folding tables with etched plastic nameplates, digital prints, Xeroxes, six wax lightbulbs, Plexiglas, oil and enamel on aluminum, framed digital c-print, five gallon water jug, trouble light, 60 watt lightbulb, two metal folding chairs, white noise machine, sixty-four page spiral bound booklet, dimensions variable
NOWORK (Tuomas Korpijaakko and Pierre Le Hors), A Ham Sandwich with Masonite, 2017, six folding tables with etched plastic nameplates, digital prints, Xeroxes, six wax lightbulbs, Plexiglas, oil and enamel on aluminum, framed digital c-print, five gallon water jug, trouble light, 60 watt lightbulb, two metal folding chairs, white noise machine, sixty-four page spiral bound booklet, dimensions variable
NOWORK (Tuomas Korpijaakko and Pierre Le Hors), A Ham Sandwich with Masonite (detail), 2017, six folding tables with etched plastic nameplates, digital prints, Xeroxes, six wax lightbulbs, Plexiglas, oil and enamel on aluminum, framed digital c-print, five gallon water jug, trouble light, 60 watt lightbulb, two metal folding chairs, white noise machine, sixty-four page spiral bound booklet, dimensions variable
NOWORK (Tuomas Korpijaakko and Pierre Le Hors), A Ham Sandwich with Masonite, 2017, six folding tables with etched plastic nameplates, digital prints, Xeroxes, six wax lightbulbs, Plexiglas, oil and enamel on aluminum, framed digital c-print, five gallon water jug, trouble light, 60 watt lightbulb, two metal folding chairs, white noise machine, sixty-four page spiral bound booklet, dimensions variable
NOWORK (Tuomas Korpijaakko and Pierre Le Hors), A Ham Sandwich with Masonite (detail), 2017, six folding tables with etched plastic nameplates, digital prints, Xeroxes, six wax lightbulbs, Plexiglas, oil and enamel on aluminum, framed digital c-print, five gallon water jug, trouble light, 60 watt lightbulb, two metal folding chairs, white noise machine, sixty-four page spiral bound booklet, dimensions variable
Calvin Marcus, Structure with Adam’s Airport Tapestry, 2017, paper, wood, hot glue, sockets, fixtures, wood stain, Masonite, inkjet print, 30h x 24w x 9.5d in.
The Garden of Forking Paths
Organized by Adam Marnie
January 8–February 12 2017