Nagy / Libby / Le Va

Installation view, Nagy / Libby / Le Va, Magenta Plains, New York, NY, 2017

Barry Le Va, Diagrammatic Silhouettes: Sculptured Activities (Black Stress), 1987, ink on paper, cut and glued to ink on paper, 80h x 80w in.
© Barry Le Va. Courtesy David Nolan Gallery, New York, NY

Installation view, Nagy / Libby / Le Va, Magenta Plains, New York, NY, 2017

Anne Libby, Acting Blanks, 2017, glass, wood, formica, polyethylene, powder-coated steel, mylar, 36h x 77w x 132d in.

Anne Libby, Acting Blanks (detail), 2017, glass, wood, formica, polyethylene, powder-coated steel, mylar, 36h x 77w x 132d in.

Installation view, Nagy / Libby / Le Va, Magenta Plains, New York, NY, 2017

Peter Nagy, 2000 B.C. to 2000 A.D., 1990, enamel on steel, 48h x 98w in. Edition 2/3

Barry Le Va, Untitled, 1982, oil, graphite and spray paint on collaged paper, 30h x 44w in.
© Barry Le Va. Courtesy David Nolan Gallery, New York, NY

Installation view, Nagy / Libby / Le Va, Magenta Plains, New York, NY, 2017

Anne Libby, Acting Blanks (detail), 2017, glass, wood, formica, polyethylene, powder-coated steel, mylar, 36h x 77w x 132d in.

Installation view, Nagy / Libby / Le Va, Magenta Plains, New York, NY, 2017

Barry Le Va, Munich.Africa-Masks.Matrixes.Burials.Bunkers, 1993, photo, black spray paint and collage on paper, 22h x 30w in.
© Barry Le Va. Courtesy David Nolan Gallery, New York, NY

Peter Nagy, Eight Line Poem, 1991, acrylic on canvas, 72h x 72w in.

Installation view, Nagy / Libby / Le Va, Magenta Plains, New York, NY, 2017

Barry Le Va, 9g Wagner Plan Views; Wall and Floor Installation (ICA Variations), 2004, burnt umber oil pigment on paper, 38h x 50w in.
© Barry Le Va. Courtesy David Nolan Gallery, New York, NY

Installation view, Nagy / Libby / Le Va, Magenta Plains, New York, NY, 2017

Anne Libby, Tessera, 2017, seaweed, laminate, formica, powder-coated steel, 84h x 84w x 84d in.

Anne Libby, Tessera (detail), 2017, seaweed, laminate, formica, powder-coated steel, 84h x 84w x 84d in.

Peter Nagy, Was and When, 2017. Work by: Arlene Shechet, Cosmo Head, 1997, hydrocal, acrylic paint skins, concrete and steel, 18h x 7w x 7.4d in.; Ross Bleckner, Untitled, 2014, oil on linen, 32h x 16w in.; Bill Saylor, Future Cast, 2017, oil, oil pastel, pastel, graphite and charcoal on paper mounted on canvas panel, 40h x 27w in.; Joseph Kosuth, Zero & Not, offset print on paper with colored tape, 54h x 47w in.; Amritsar Rug, 20th c., wool, 36h x 72w in.; Meiji Era Merchant's Chest, 19th c., Keyaki and Sugi Wood, 40h x 47.5w x 16d in.

Peter Nagy, Was and When (alternate view), 2017. Work by: Arlene Shechet, Cosmo Head, 1997, hydrocal, acrylic paint skins, concrete and steel, 18h x 7w x 7.4d in.; Ross Bleckner, Untitled, 2014, oil on linen, 32h x 16w in.; Bill Saylor, Future Cast, 2017, oil, oil pastel, pastel, graphite and charcoal on paper mounted on canvas panel, 40h x 27w in.; Joseph Kosuth, Zero & Not, offset print on paper with colored tape, 54h x 47w in.; Amritsar Rug, 20th c., wool, 36h x 72w in.; Meiji Era Merchant's Chest, 19th c., Keyaki and Sugi Wood, 40h x 47.5w x 16d in.