The Garden of Forking Paths

Organized by Adam Marnie

Aura Rosenberg, Barbara Ess, Calvin Marcus, Craig Smyth, Hannah Buonaguro, Heather Bursch, Kevin Zucker, Megan Plunkett, NOWORK, Peter Sutherland, Roni Shneior, Ryan Foerster, Steel Stillman, Thatcher Keats

January 8–February 12 2017

Press Release

Peter Sutherland, San Arco, 2017, inkjet print on perforated vinyl, 91h x 244w in

Installation view, The Garden of Forking Paths, Organized by Adam Marnie, Magenta Plains, New York, NY, 2017

Thatcher Keats, Honey Shelf, 2013, wood, honey jars, honey, screws, glue, 96h x 11.5w x 5d in.

Heather Bursch, Hinge: Periphery to Mark an Interior (far right), 2016, marble, brass, brass leaf, magnets, dimensions variable

Craig Smyth, Morris Jepson Weapon Test Officer Enola Gay Mission 6 Aug. 1945 Hiroshima Japan, 1994, autographed baseball, 2.9h x 2.9w x 2.9d in

Steel Stillman, Untitled, 2012, archival inkjet print, 18.5h x 16.5w x 1.125d in. Edition 2/5 and Steel Stillman, Untitled, 2012, archival inkjet print. 18.5h x 16.5w x 1.125d in. Edition 2/5

Roni Shneior, Cheers, 2017, ceramic, paper, glue, epoxy, steel mesh, spray paint, nail polish, beer can, flashlight, 54h x 24w x 12d in.

Installation view, The Garden of Forking Paths, Organized by Adam Marnie, Magenta Plains, New York, NY, 2017

Kevin Zucker, Twelve Cities, 2016, pastel rubbing on paper, 38h x 50w in.

Megan Plunkett, Semi-Detached (on window), 2016, digital print on paper, Plexiglas, frame, wood, hardware, 35h x 55w in.

Ryan Foerster and Hannah Buonaguro, and the people sat down to eat and (detail), 2017, wood, glass, paint, linoleum, c-prints, duct tape, string, wax, paper, plastic, fabric, wire, polyurethane, tomato plants, bagel

Ryan Foerster and Hannah Buonaguro, and the people sat down to eat and(detail), 2017, wood, glass, paint, linoleum, c-prints, duct tape, string, wax, paper, plastic, fabric, wire, polyurethane, tomato plants, bagel

Installation view, The Garden of Forking Paths, Organized by Adam Marnie, Magenta Plains, New York, NY, 2017

Aura Rosenberg and Adam Marnie, Je sens deux hommes, un gorille et une femme en moi, 2017, inkjet photo collage, framed: 26.4h x 19.6w in.

Steel Stillman, Untitled, 2012, archival inkjet print, 18.5h x 16.5w x 1.125d in. Edition 1/5

Barbara Ess, The Feeling Tone of Sensation, n.d. lead, 14h x 11w in.

NOWORK (Tuomas Korpijaakko and Pierre Le Hors), A Ham Sandwich with Masonite, 2017, six folding tables with etched plastic nameplates, digital prints, Xeroxes, six wax lightbulbs, Plexiglas, oil and enamel on aluminum, framed digital c-print, five gallon water jug, trouble light, 60 watt lightbulb, two metal folding chairs, white noise machine, sixty-four page spiral bound booklet, dimensions variable

NOWORK (Tuomas Korpijaakko and Pierre Le Hors), A Ham Sandwich with Masonite (detail), 2017, six folding tables with etched plastic nameplates, digital prints, Xeroxes, six wax lightbulbs, Plexiglas, oil and enamel on aluminum, framed digital c-print, five gallon water jug, trouble light, 60 watt lightbulb, two metal folding chairs, white noise machine, sixty-four page spiral bound booklet, dimensions variable

NOWORK (Tuomas Korpijaakko and Pierre Le Hors), A Ham Sandwich with Masonite, 2017, six folding tables with etched plastic nameplates, digital prints, Xeroxes, six wax lightbulbs, Plexiglas, oil and enamel on aluminum, framed digital c-print, five gallon water jug, trouble light, 60 watt lightbulb, two metal folding chairs, white noise machine, sixty-four page spiral bound booklet, dimensions variable

NOWORK (Tuomas Korpijaakko and Pierre Le Hors), A Ham Sandwich with Masonite (detail), 2017, six folding tables with etched plastic nameplates, digital prints, Xeroxes, six wax lightbulbs, Plexiglas, oil and enamel on aluminum, framed digital c-print, five gallon water jug, trouble light, 60 watt lightbulb, two metal folding chairs, white noise machine, sixty-four page spiral bound booklet, dimensions variable

NOWORK (Tuomas Korpijaakko and Pierre Le Hors), A Ham Sandwich with Masonite, 2017, six folding tables with etched plastic nameplates, digital prints, Xeroxes, six wax lightbulbs, Plexiglas, oil and enamel on aluminum, framed digital c-print, five gallon water jug, trouble light, 60 watt lightbulb, two metal folding chairs, white noise machine, sixty-four page spiral bound booklet, dimensions variable

NOWORK (Tuomas Korpijaakko and Pierre Le Hors), A Ham Sandwich with Masonite (detail), 2017, six folding tables with etched plastic nameplates, digital prints, Xeroxes, six wax lightbulbs, Plexiglas, oil and enamel on aluminum, framed digital c-print, five gallon water jug, trouble light, 60 watt lightbulb, two metal folding chairs, white noise machine, sixty-four page spiral bound booklet, dimensions variable

Calvin Marcus, Structure with Adam’s Airport Tapestry, 2017, paper, wood, hot glue, sockets, fixtures, wood stain, Masonite, inkjet print, 30h x 24w x 9.5d in.

Crystalline memories are adjacent to forgetting, blocked inabilities to remember. One form becomes another. Hands hold hands.

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